Have you ever wondered why we should be
worried about pirates nowdays? People who breach copyright laws, steal movies
and music, for some reason, are called pirates. If you think about it, it’s a
strange term to give them. Why not video vampires; music moles or sega
snitches?
Our collective subconsciousness is filled
with images of scary types that would grant an evil personality to someone
accessing a movie, song or game without paying for that right. But why a
Pirate? Surely there are many other labels that would instil the impersonal
fear of these fiscal outcasts in the general population more adequately and
aptly than a pirate? How about a vampire; troll; goblin; leprechaun or
werewolf? What is it about pirates that made intellectual property rights peeps
change the arrrrrrrrgument?
Ba-da – cha... thanks, I’m here all week...
If we can learn anything from history,
apart from the fact that we don’t learn anything from history, it is that
pirates have been part of our collective subconscious for many centuries, and
have been given greater credence and villainy than their acts deserve. The word
goes back to at least the thirteenth century and can be linked to the Latin pirata (sea robber), the Greek peirates (one
who attacks). From about 1620, the
Spanish word Picaroon was used to
mean a sea-robber. However, in 1701, there was recorded the term from the Latin
peritus to mean a person who takes
another’s labour without permission, forward through to 1913 where it was
coined to mean an unlicensed radio broadcaster probably similar to this one.
Of course, this is to completely ignore the Vikings and many other groups that
were essentially pirates.
Like most GenXers, I grew up with pirates
being bad and Robin Hood being good. Then, somewhere along the way, pirates
became good (thanks to Johnny Depp) and Robin Hood got really bad (thanks to
Kevin Costner and Russell Crowe). Pirates were the bad guys in Treasure Island,
the Swiss Family Robinson and Peter Pan. They were not only bad; they were
ruthless, unreasoned and cold: they were not human. Then things changed a
little.
The Goonies retold the pirate story from a
different angle in searching for the treasure of One-Eyed Willie. Fighting
through deadly booby traps and the Fratellis, in the Goonies, it is more dumb
luck that saves the day, the concept of piracy is told to have been captured
for so long, freed by a final booby trap, the film ends with the pirate ship Inferno, sailing away unmanned and free.
The Princess
Bride introduced the Dread Pirate
Roberts as a more cultured and reasonable person. “Good night Wesley, get some sleep, I’ll most likely kill you in the
morning” turned into a very reasonable want to retire and be replaced by our
heroin, whom we already knew and liked.
All of a sudden, we are introduced to the back story of (one of the) Dread Pirate Roberts, and it makes
perfect sense to us.
But it’s not until the recent Pirates of the Caribbean and its sequels
that the pirate story is told in the positive. Like all great action movies,
these movies are in part a ‘Gospel according to Cool’ that made us buy the
headbands and wristbands of Capt Jack and forgive Keira Knightly for the Phantom Menace and part a retelling
analogy of freedom and justice. Piracy
in these movies is regarded not as history records; ruthless and merciless
monsters. Rather, the pirates of these movies are akin to nobility in many
ways: from the bloodline that runs from to the son from an unknown father
(Bootstrap Bill) to the concepts of freedom and justice, while in some ways a
divine gifts, are given to the pirates, rather than the English, to be upheld.
So now pirates are the new black.
Walking along in any given marina nowdays,
you would be unlucky to not see at least one ship with the Jolly Roger flying
loud and proud. This is a very strange thing given that before July 2008,
flying this flag would constitute an offence in Queensland liable to life
imprisonment.
And there are other types of groovy pirates
nowdays, a Facebook Pirate, we can learn, is an “...[i]ndividual that[sic]
proceeds to steal everything you post on your facebook wall and post it
on their wall without giving any credit thus taking all the glory of your
genius” used to complain about someone “stealing
my Lady Gaga video again and he has 30 comments and I only have for [sic]” There are Pit Pirates, who “...focuses
his entire life around his own ego. EVERYTHING is always about him. If you've
cooked it, he's cooked 10 times as much and of course BETTER! If you've been
there, he been there SEVERAL times! If one of your kids is cute.... well then
he just doesn't care....because it's all about HIM!!!” There is also the
Digital Buccaneer who “...obtains large
amounts of video or music over the internet, usually by pirating or other
questionable means”.
So it seems our pirates have gone from bad
to misunderstood to good to just plain annoying.
Vampires have a similar stroll through
history. From a weird poem by Lord Byron that inspired the sickness of Bram
Stocker; to a Dracula whose story was unknown, he was just bad. Then he was,
like others, misunderstood into a life against God due to bad fortune and
trickery. Through the wonderful stories of Anne Rice, vampires became
understandable and human, and through stories like Buffy the Vampire Slayer and
the Lost Boys, they were even more human, if still bad. But then there’s
Twilight, isn’t there? Vampires became
pooncey and annoying...just like pirates.
We’ve talked about Darth Vader in this
light before
have we not? Yet there is a lot more to his story that fits the same mould.
The first movie that came out, he was barely human; he was a cold and ruthless
killer. In the second movie (The Empire
Strikes Back) this is even worse in his dealings with his henchmen, using
the force to strangle them over the intercom; he couldn’t even be bothered to
travel to their ship to weird force-strangle his 2IC in person. Yet in the
third movie, he becomes human. He turns into a good guy and dies, but we don’t
really understand that. But insert the new Star Wars trilogy, especially the
third movie; Revenge of the Sith,
where we not only learn how Vader becomes that person, we understand it. Anakin
gets tricked into hooking his wagon onto the bad guys horse to save the love of
his life....awwwww...isn’t that sweet?
No, seriously, it’s not only sweet, it’s
understandable. It all makes perfect sense, down to the retelling of the story
of Sir Galahad, stealing the metaphysical conundrum that free will and divine
determinism can so easily confuse our heroin. Anakin is ‘fulfilling his destiny’ in the eyes of Emperor Palpatine, but at
the same time chooses his actions, lest he not be responsible for them... he wants more, when he knows a Jedi shouldn’t. A notion that is exaggerated
at the end of the movie by Obe Wan not killing him because he is unarmed,
juxtaposed against Anakin’s fight with Dooku at the beginning.
So what has all this got to say about bad,
do we know what’s good for bad? Do we know what’s bad for bad? We got to grow
up with a version of the devil, Vader, that was then warped by reasoned explanation.
We get to understand what the devil did, more than that, we get to forgive him
for it. What the previous generation had seen in communists, the one before
that in Catholics and the one before that in Chinese and Germans, we got to
understand ours. Maybe this next generation will be the first to finally
transcend notions of good and evil in morality.
And I know you’re now shaking you fists in
frustration at me, screaming, ‘what about the Terrorists’? Are they just our generation’s
communists or Catholics? Maybe, maybe not. But they are terrorists, rather than
a particular identifying feature. It is their actions that condemn them rather
than their beliefs or nationality.
I know, a pretty weak distinction.
There is another
thought troubling me about this: in all these types of stories, bad is not just
beaten, it is eradicated; it is completely removed from the world. Vader
destroyed the Sith completely. Dracula, who originally was just bad, was given
a back story in our lifetime. His service to the lord was mocked by the
trickery that destroyed his wife. This was never in the original stories, but
the idea of killing him was. He was the one and only to be removed; once dead,
bad was gone. But my concern is, can bad ever be removed from anything? As
Uncle Fred said, "But what if pleasure and pain should be so closely connected that
he who wants the greatest possible amount of the one must also have the
greatest possible amount of the other, that he who wants to experience the
"heavenly high jubilation," must also be ready to be "sorrowful
unto death?"
You could use this point to argue that
Jesus was wrong to refuse the Devil’s third logic in his forty days of
wandering, but that’s another post in itself.
Back to pirates...
Interestingly, one of the anti-movie piracy
ads here is Aus, which portrays a ‘pirate’, who seems to look more like a
blacksmith than a pirate or a computer geek, states that one of the reasons we
should turn away from video piracy is that it ‘funds terrorism’. This claim has
been made by many, but interesting has been made by John G. Malcolm, a deputy
assistant attorney general in the criminal division at the United States of
America’s Department of Justice before a formal House Judiciary Committee
proceedings, or in short, someone who ought to know better. The link is a clear
one too. "Organised crime syndicates
are frequently engaged in many types of criminal enterprises, including
supporting terrorist activities", Mr Malcolm explained.
Unsurprisingly, he could not, when pushed on the matter, name any case where
this actually happened, but "it would
surprise [him] greatly if the number were not large".
So if I drive a car, and some people use
cars to go through drive-thrus, I think it follows that I am a hamburger. But really...If a person breaks the law, they
are part of a sub-class of people who can be labelled law breakers, some of
whom fund terrorism. Therefore, breaking the law funds terrorism. Did someone
say McCarthyism ?
SuPERB
There’s another ad that asks “would you
steal a handbag?” ...then ... “Would you steal a car?” while presenting the
types of situational crimes that Routine Activity Theory would explain all too
well.
But are they actually stealing something?
And if so, are they doing it for the types of reasons that the traditional
pirate did? It may well be a too simplistic statement to say that the reasons
for traditional piracy is simple scarcity caused by the greediness of the upper
classes. Is that not the case still today?
As a part-time author, I have very little
concern about people reading my stuff without paying for it, as long as this
doesn’t happen too much and as long as they are not actually Stealing it (capital
S for claiming ownership/authorship of it). But this may well be because I am,
through most of my work, not being paid at six percent of the jacket price of
my work by the people that are really pushing the anti-piracy bandwagon. I get
to keep somewhere between forty percent and two thirds of the price, depending
on where my work is sold. I also get to keep complete control over my work. But
what is the opposite? Think about that for a minute; an author who has written
an entire work of whatever, laboured through thick and thin, if s/he chooses a
book-deal over self controlled publishing, s/he gets only six percent of the
revenue from that work. Artists and musicians appear to be in similar situations;
the are making more for the endless stream of accountants and marketing gurus
out there than they are for themselves. But at least they are actually making
something, creating something that this world may ponder and smile upon for a second
or more. Kudos for that.
So I guess the term pirate is quite apt.
Historically, it is not that pirates stole from the creators of products that
made them bad, it was that they were better at it and had considerably less
overheads to contend with than the government and the quazi-creative industries
that leech off talent from the creators. This is still true of video pirates
today I guess.
This
post’s groovy, identity-seeking quote:
“Nobody can build
the bridge for you to walk across the river of life, no one but you yourself
alone. There are, to be sure, countless paths and bridges and demi-gods which
would carry you across this river; but only at the cost of yourself; you would
pawn yourself and lose. There is in the world only one way, on which nobody can
go, except you: where does it lead? Do not ask, go along with it.”
This
post’s lame jokes:
Q. Why don’t pirates sail to the moon?
A. Because it’s too faaaaaaaaarrrrrrr
Q. What kind of socks do pirates wear?
A. Aaaaaargiles.
Q. What do pirates do when they injure
their knees?
A. Get Arrrrrrrthroscopic surgery
Q. Why do pirates read Playboy?
A1. For the Arrrrrrticles
A2. For the booty
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